Hoppe for Butler Donaldson

REX BUTLER & A.D.S. DONALDSON | War and Peace: 200 Years of Australian-German Artistic Relations

An overview of Australian-German Artistic Relations over the past two hundred years. The guns were barely silent on the Western Front when on 23 November 1918 Belgian-born Henri Verbrugghen took to the stage of the recently established NSW Conservatorium and softly

Hoppe for Butler Donaldson

REX BUTLER & A.D.S. DONALDSON | War and Peace: 200 Years of Australian-German Artistic Relations

An overview of Australian-German Artistic Relations over the past two hundred years. The guns were barely silent on the Western Front when on 23 November 1918 Belgian-born Henri Verbrugghen took to the stage of the recently established NSW Conservatorium and softly

Cox Juliff

TOBY JULIFF & TRAVIS COX | The Post-display Condition of Contemporary Computer Art

Recent exhibition attempts to recuperate and revise Conceptual Art — ‘Open Systems’ (2005), ‘Invisible: Art About the Unseen’ (2012) — have brought to the fore wider discursive concerns regarding coding, interfaces and artistic intentionality. Taking its lead from Rosalind Krauss’

Cox Juliff

TOBY JULIFF & TRAVIS COX | The Post-display Condition of Contemporary Computer Art

Recent exhibition attempts to recuperate and revise Conceptual Art — ‘Open Systems’ (2005), ‘Invisible: Art About the Unseen’ (2012) — have brought to the fore wider discursive concerns regarding coding, interfaces and artistic intentionality. Taking its lead from Rosalind Krauss’

streeton

EMMA KINDRED | Souvenir and Source: Arthur Streeton’s Cairo through the Lens

Arthur Streeton produced a comprehensive body of work in response to his two-month sojourn in Cairo on his way to London in 1897. This essay explores his range of responses to the city, expanding current understandings of the artist’s experience

streeton

EMMA KINDRED | Souvenir and Source: Arthur Streeton’s Cairo through the Lens

Arthur Streeton produced a comprehensive body of work in response to his two-month sojourn in Cairo on his way to London in 1897. This essay explores his range of responses to the city, expanding current understandings of the artist’s experience

Larrson

CHARI LARSSON | And the Word Becomes Flesh: Georges Didi-Huberman’s Symptom in the Image

In 1990 French art historian and philosopher Georges Didi-Huberman announced he would undertake what he termed an ‘aesthetics of the symptom’. What exactly this symptomatic approach may mean for art history has often been overlooked in appraising his historiographic project.

Larrson

CHARI LARSSON | And the Word Becomes Flesh: Georges Didi-Huberman’s Symptom in the Image

In 1990 French art historian and philosopher Georges Didi-Huberman announced he would undertake what he termed an ‘aesthetics of the symptom’. What exactly this symptomatic approach may mean for art history has often been overlooked in appraising his historiographic project.

Baldessin

VICTORIA PERIN | George Baldessin’s first view of the city: The formative influence of the Italian sculptor Alik Cavaliere on George Baldessin

In Sasha Grishin’s 2014 book, Australian art: a history, he begins his discussion of printmaker-sculptor George Baldessin (1939-1978) with a statement about the artist’s migration to Australia. While this is appropriate, as Baldessin’s art is intimately involved with his relationship

Baldessin

VICTORIA PERIN | George Baldessin’s first view of the city: The formative influence of the Italian sculptor Alik Cavaliere on George Baldessin

In Sasha Grishin’s 2014 book, Australian art: a history, he begins his discussion of printmaker-sculptor George Baldessin (1939-1978) with a statement about the artist’s migration to Australia. While this is appropriate, as Baldessin’s art is intimately involved with his relationship